I’m Stone, a Wellington-based video producer, editor and motion designer.
Explore filmed stories, card-game visuals and motion work, with a clear account of what I contributed.
Start with 90 seconds of work ↓Select a chapter or press play. Each excerpt links to the full project.
Explore the videos and contribution notes,
including an animation compositing case study.
Archived UI assets and animation-photography notes.
Each card explains the production task and my contribution.
I designed the interface system and prepared its panels and components in Photoshop. These previews come from the archived design file.
Useful for adapting existing artwork into clear, consistent screen layouts. The explorer shows design assets, not a playable game.
I composited character and background layers for independent fan-animation productions, following Japanese animation production conventions.
Prufrock shows my location filming and grading. The trailer recut shows how I shape a story through pace and sound.
The card-battle remake shows readable game information. The commercial and logo suite show short promotional motion and reusable visual assets.
My background includes post-production and OBS/Live2D streaming support for five virtual artists, alongside visual work in a four-person remote startup.
The selected videos show my creative output. Streaming support is additional work experience described in my CV.
RS Scenes 01–04: six shots (2025). Cut 18–46: nine shots (2022).
I extracted masks from coloured character layers and combined them with backgrounds. Environmental colour helped the layers share the same setting.
RS · Layer masks and Screen / Overlay blendsI softened rim light and added low-light atmosphere, dust and optical effects. Depth-of-field treatment helped separate the scene’s spatial layers.
RS · Light, particles and lens effectsI managed layers and shot versions using scene, cut and version identifiers, then exported ProRes masters.
RS · Apple ProRes 422 StandardContribution: compositing, light, depth and final shot output. Character artwork, backgrounds and animation were collaborative source material.